Showing posts with label The Cure. Show all posts
Showing posts with label The Cure. Show all posts

Sunday, August 8, 2010

The Cure: 4Play in Charlotte



The Cure pictured here in their 1980 prime - they don't look like this anymore.


Fine presentation of a once-great band clearly past its peak.

I've been a fan of this band for about twenty-plus years now so I was pleasantly surprised to find out about this 60 minute segment on HDNet TV of a Cure show from June of two years ago on their 4Tour. The presentation of the band was for all intents and purposes very nice. It was not 'The Cure In Orange' - their amazing feature-length filmed concert film directed by Tim Pope (which is sobbing to be released on DVD) - but few concert films are. No fast editing and all four band members gets a decent amount of screen time which was certainly nice.

I've personally found The Cure's past few releases to be slightly lacking (in inspiration perhaps) and haven't seen them live in many years. In any case, the main problem with The Cure's performance was that songs that themselves which were once nearly mid-tempo are now very slow, and one-time fast numbers are now nearly mid-tempo (to be generous). I've seen several older bands of late (Gang Of Four, The Police, The Fleshtones) and something I've learned from them is that being older in age doesn't necessarily mean slowing down the arrangements of your songs simply because you are few years older. "The Walk" and "Primary" are two such songs that have suffered as a result of this. I don't know if drummer Jason Cooper has much to do with slowing down the arrangements but they are, in turn a different band than before with little distinction in different tempos. This was not the case when the Cure's old drummer Boris Williams was in the fold. Use of keyboards are also sorely lacking - always a constant and necessary element of the band in the past. However now all keyboard parts are done on guitar.




(See previous caption above.)


Another unfortunate is Robert Smith's voice. He's always been one with a distinctive voice, although not a very big voice at that. It's now limp, whiny and fully-exposed in a live setting. This doesn't help their cause for a great live show.

And not to kick a band when they are obviously down (so to speak) but I was actually embarrassed watching two (nearly) fifty-year old men (Robert Smith and Porl Thompson) wearing eye make-up and (in Smith's case) the silly haircut. These are things that probably should have been in been eased out of the image in the mid-nineties. All one has to do is look at picture-perfect bassist Simon Gallup and wonder what Robert and Porl are (or in this case, not) thinking. In terms of what makes music such as The Cure's successful - image is simply just not important. It's just sad, embarrassing and unfortunate when the band leader doesn't realize that himself and insists on wearing the silly make-up. It would be easy for someone unfamiliar with the band to view the make-up motif as style over substance. And to think that this band was at one time supposedly "anti-image".

However if you are a fan that believes The Cure can do no wrong - obviously you'll be hearing none of this and eat this performance up.

Wednesday, June 16, 2010

Random Best Of Year List: 1992!

The Best Of 1992:

Albums:

1) XTC: Nonsuch



2) Morrissey: Your Arsenal



3) They Might Be Giants: Apollo 18



4) Big Star: Third/Sister Lovers



5) Eggstone: Eggstone In San Diego



6) The Cure: Wish




7) John Wesley Harding: Why We Fight



8) Too Much Joy: Mutiny



9) Chris Bell: I Am The Cosmos



10) Sugar: Copper Blue



11) Television: Television



12) Beastie Boys: Check Your Head




13) Prince: The Love Sign Album



14) Barenaked Ladies: Gordon



15) Singles (Original Motion Picture Soundtrack)



16) The Fleshtones: Powerstance



17) Social Distortion: Somewhere Between Heaven & Hell



18) Juliana Hatfield: Hey Babe



19) Ride: Going Blank Again



20) Pavement: Slanted & Enchanted



Singles:

1) XTC: "The Ballad Of Peter Pumpkinhead"



2) Redd Kross: "Trance"



3) Matthew Sweet: "I've Been Waiting"



4) Teenage Fanclub: "What You Do To Me"




5) Morrissey: "We Hate It When Our Friends Become Successful"



6) Ride: "Twisterella"



7) The Cure: "High"



8) Tom Cochrane: "Life Is A Highway"



9) Robyn Hitchcock & The Egyptians: "Oceanside"



10) Toad The Wet Sprocket: "All I Want"



11) Too Much Joy: "Donna Everywhere"



12) Suede: "Metal Mickey"



13) Right Said Fred: "Don't Talk Just Kiss"



14) John Wesley Harding: "Kill The Messenger"



15) Paul Westerberg: "Dyslexic Heart"



16) They Might Be Giants: "The Statue Got Me High"



17) Blur: "Popscene"




18) Pulp: "My Legendary Girlfriend"




19) Red Hot Chili Peppers: "Breaking The Girl"



20) The Soup Dragons: "Pleasure"

Sunday, June 7, 2009

Adventureland Motion Picture Soundtrack (2009)




Adventureland is a new(ish) Teenage Romantic Comedy from Greg Molatta (Superbad). It's an autobiographical account of the wacky hijinks, romantic misadventures and employment experience he had in 1987 at Adventureland Amusement Park in Farmingdale, Long Island, New York.

The movie stars Twilight phenom Kristen Stewart, Jesse Eisenberg (Roger Dodger) and Ryan Reynolds. More importantly, it contains the best soundtrack I've heard in a very long time. It's also very nice to see a soundtrack have legitimately good songs from the era as well (much like The Wedding Singer), and - good or otherwise - not the just the same songs that everyone has heard way too-many times.

It contains a few surprising classics: The Velvet Underground's masterpiece "Pale Blue Eyes", Big Star's ageless "I'm In Love With A Girl" and The New York Dolls' earnestly sleazy "Looking For A Kiss". A few singalongs and a guilty pleasure or two: The Outfield's politely sleazy "Your Love", INXS' "Don’t Change" (a top contender for their best song), and the you-think-you-like-it power of Crowded House's "Don’t Dream It’s Over", the better-than-it-has-any-business-being punch of David Bowie's "Modern Love", rounded out by Falco's deeply profound high-camp masterpiece "Rock Me Amadeus".

Also present and accounted for are several legitimate American college rock (as it was then quaintly referred to) classics in The Replacements' Byrds/Dylan-via-The Sex-Pistols angst of "Unsatisfied" and the post-hardcore power of Hüsker Dü's "Don’t Want To Know If You Are Lonely" (later covered to lesser effect by Green Day). Not to mention The Cure's first Top-40 hit "Just Like Heaven" (which was everywhere circa 87/88).

Several other songs in the film did not make the soundtrack however: The Replacements' "Bastards Of Young" (which is the first item heard in the film), Nick Lowe's "So It Goes", Rush's "Limelight", The Rolling Stones' "Tops" and the sore thumbs of Judas Priest's "Breaking The Law" and "Here I Go Again" by Whitesnake.

Unfortunately the soundtrack was released for promotional-use-only in CD format (with liner notes from director Greg Mottola). There were also copies with various Adventureland T-Shirt giveaways. It is available for download from iTunes.

The awesome tracklisting:

1 Satellite Of Love - Lou Reed
2 Modern Love - David Bowie
3 I’m In Love With A Girl - Big Star
4 Just Like Heaven - The Cure
5 Rock Me Amadeus - Falco
6 Don’t Change - INXS
7 Your Love - The Outfield
8 Don’t Dream It’s Over - Crowded House
9 Looking For A Kiss - New York Dolls
10 Don’t Want To Know If You Are Lonely - Hüsker Dü
11 Unsatisfied - The Replacements
12 Pale Blue Eyes - The Velvet Underground
13 Farewell Adventureland - Yo La Tengo
14 Adventureland Theme Song - Yo La Tengo

Monday, April 20, 2009

Paul McCartney Amazes At Coachella Festival


The tenth-annual three-day Coachella Valley Music And Arts Festival took place this past weekend in Indio, California. Despite a troubled economy well over 150,000 were in attendance and well over one hundred acts performed at the multi-stage event. Some of the more notable acts that performed were Paul McCartney, Leonard Cohen, The Cure, Morrissey, The Bob Mould Band, Franz Ferdinand, Paul Weller, The Brian Jonestown Massacre, Superchunk, X, Fleet Foxes, Public Enemy, Joss Stone, Yeah Yeah Yeahs, My Bloody Valentine, Henry Rollins, The Killers, Perry Farrell and The Hold Steady.

While several artists impressed many, the show-stopper by all accounts was the performance by Sir Paul McCartney. It's amazing that, regardless of whether the vocals are not what they once were, the tempos have slowed down a touch - some performers continue to endear with age (Brian Wilson...Sir Paul) while many others do not. Perhaps it's the all the timeless songs under the belt, the very many achievements and countless influenced by them - there's certainly something to be said for an artist who constantly stays driven and relevant regardless of current trends.

McCartney's set included "Jet", "Got To Get You Into My Life", "Band On The Run, "Live & Let Die", "Eleanor Rigby", "Paperback Writer", "Sgt. Pepper's Lonely Heart's Club Band", "A Day In The Life", "Get Back", "I've Got A Feeling", "Hey Jude", "The Long & Winding Road", John Lennon's "Give Peace A Chance", George Harrison's "Something", the John Lennon tribute "Here Today", "The Fireman", "Let It Be", "Yesterday", "Helter Skelter", "Lady Madonna", "Can’t Buy Me Love", "The End", a tribute to late wife Linda (who passed away eleven years ago to the very date) "My Love" and several others.

A poignant set list to be sure. I'm glad he's still out there doing it as well as he is. I'm of the belief that there's always room for pop music legends.